Because this is still a design blog: Who By Fire

I’ve occasionally tried my hand at creating holiday cards, but never anything particularly inspired, somehow.

Then during Rosh Hashanah services this year, I managed to remember that the Thing I Do is play around with text, especially Biblical or liturgical text… and there’s no shortage of great material in the High Holiday liturgy. Which excited me, even if it results in a bit of a departure from your basic apples-and-honey “good and sweet year” greeting card motif.

So here’s the first one:

On Rosh Hashanah it is written, and on Yom Kippur it is sealed...

This famous liturgical passage is from the central U’netaneh Tokef section of the Rosh Hashanah Musaf prayer service. Click to enlarge.

I have a few more passages still in mind to work up. Next year I intend to actually get some of them printed up in time to use for the holiday… so I made sure to use up the last few mundane ones in my stash this year.

Edited to add (2015): Buy it on Zazzle!

Ketivah v’chatimah tovah: May you all be written and sealed for a good year.

Where you can find me for the High Holidays

One of my fellow members at Town & Village Synagogue in downtown Manhattan is Rabbi Judith Hauptman, who is on the faculty at JTS. I first met her over Rosh Hashanah lunch this time last year. For the past several years, Rabbi Hauptman has run a free, public community young adult High Holiday congregation under the name of Ohel Ayalah (“the tent of Ayalah,” named for her mother z”l, the inspiration for this hospitable service). Ohel Ayalah also runs a community young adult Passover seder, which I happened to attend this past April when I needed a place for 2nd-night seder, and I was impressed how they managed to do what felt like a full and complete traditional seder liturgy, blend in enough time for socializing, and still get us out of there at the stroke of 10pm.

One week earlier this summer, I attended T&V’s regular Friday night service, which as a rule is incredibly rich with powerful singing (thanks largely to the amazing Cantor Shayna Postman, and whichever of my fellow choirmates happen to be in the congregation on any given week). After the service, Rabbi Hauptman came up to me and said “How would you like to come daven with me for the High Holidays?”

“Um,” I said, “I’m not sure how useful I can really be to you on that!” I’m not, in truth, very well versed in actual liturgy for anything beyond the Friday night service, Torah service, and occasional Shabbat Musaf. But she has (as I knew) a regular cantor, Josh Gorfinkle, who does the liturgical heavy lifting, and a couple of additional/backup service leaders. In particular, she said, she was basically just looking for someone to reinforce the singing up front on a microphone and thereby add to the overall ruach of the service. That, I said, is something I can do. Even if it means I have to negotiate splitting my time with the choir at T&V, where I would otherwise be spending all of the holidays.

The upshot is that I’ll be with Ohel Ayalah’s Manhattan service for the first evening and day of Rosh Hashanah and for Kol Nidrei. And in addition to harmonizing throughout the services, and reading the Haftarah (the story of Chana, which is my Hebrew name, so that’s awesome), she asked me to sing one of the three repetitions of the Kol Nidrei prayer. I am deeply honored… and only a little terrified. It turns out that I have at least some version of Kol Nidrei internalized from the many years I spent in the professional High Holiday backup choir in Swampscott/Marblehead (starting in 1997 at Temple Israel, which eventually became Congregation Shirat HaYam). Of course, the arrangement in my head is a choral monstrosity for cantor, four-part choir, and possibly organ… but if I sing through some combination of the lines I remember, with enough conviction and kavannah, it seems to hang together well enough.

Rabbi Hauptman offered to lend me a kittel, since she wants all of us to wear them on the bimah. But the Sunday before last, I went up to West Side Judaica on 88th & Broadway and bought one of my own. Amusingly, the nice lady at the register wished me mazal tov… because these are—like the tallit—traditionally considered a men’s garment, and worn particularly for weddings, as well as High Holidays and Passover seders. So, y’know, what else does it mean when a woman of marriageable age is buying one? (Granted, the last time I bought one, that was what it was for, but that’s another story.) Happily, the gentleman who assisted me in finding one had not batted an eyelash when I asserted that it was for myself and patiently helped me sort through and try on all the sizes of the three or four styles they had. I purposely picked out the very most girly-looking one: all pintucks and lace edges. It’s like the world’s prettiest lab coat. I am excited.

I think it’s going to be a good year.

And if you want to come and daven with me, they’re still accepting walk-ins at the Prince George Ballroom (15 E 27 St., between 5th and Madison), tomorrow night at 6:45pm and Thursday morning at 9am. L’shanah tovah u’metukah!

New ketubah design: Flames

Friends in the Philadelphia area invited me several months ago to create the ketubah for their wedding, taking place today. I’m sadly missing the wedding itself, as I am away on vacation with my mom (this post is appearing through the magic of pre-scheduled posting; thanks, WordPress!), but I was excited to be able to play a role in their special day nevertheless.

Today is Lag Ba’Omer, the 33rd day of the seven-week “omer” period between the Jewish holidays of Passover and Shavuot. Sefirat ha-Omer is a period of semi-mourning in which a variety of joyful activities are customarily proscribed, including listening to live music, buying new clothes, cutting one’s hair (!), and getting married. However, the 33rd day of this period is observed as a minor festival, with a temporary lifting of those prohibitions… making it a very popular date for Jewish weddings, particularly when it falls out, as this year, on a Sunday.

Weddings aside, Lag Ba’Omer is typically associated with outdoor celebrations, and especially with bonfires. So when it came time to ponder artistic themes for this ketubah, I suggested fire, and the idea immediately touched off, well, sparks.

ketubah

A bonfire-themed ketubah for a Lag Ba’Omer wedding.

In this all-text design, the two primary flames are the ketubah text itself: standard Orthodox Aramaic incorporating the Lieberman clause, and an accompanying English rendition (not, mind you, a translation; the actual standard legal text is highly technical and nothing so poetic). The additional decorative “sparks” rising up around the flames are verses from Song of Songs (2:10, 2:14, and 6:3). Producing this piece digitally meant that I could apply a gradient color scheme to enhance the flame effect—something we could never have achieved with hand-lettering.

The finished piece is 16×20. It was output by my go-to colleague for digital imaging, Jim Paradis of Baldwin Hill Art & Framing in Natick, MA, as an archival-quality giclée art print on smooth art paper. The entire design and approval process took just over five weeks, and the final print was shipped overnight with a week to go before the wedding.

Mazal tov, Lawrence and Ellyn!

Linkfest

I’ve been wanting for days and days to write some stuff about what’s happening on my interior landscape, but have been too busy churning out actual work (made some updates to my website, though, alongside working on the big book project). So, in lieu of content, you get some of the interesting things that have come up in the past several weeks.

Design & typography

Beautiful and colorful, both from This Is Colossal:
The Chromatic Typewriter: http://www.thisiscolossal.com/2011/12/the-chromatic-typewriter/?src=footer
A Massive Black Field of Cut Steel Plants Hides a Colorful Secret: http://www.thisiscolossal.com/2012/01/a-massive-field-of-cut-steel-plants-reveals-a-colorful-secret/

The Met has a new section on their (recently overhauled) website called “Connections”, a long series of thematic presentations with voiceovers by various Museum personnel and specialists. It’s really nice.
http://www.metmuseum.org/connections/

Of historical interest: a film about Linotype (click to read about/see the trailer if you don’t know what that is) that premiered in NYC this past weekend:

Linotype: The Film

“How to Build a Newsroom Time Machine”: Typesetting and layout the old-fashioned way, or, what “on the pasteboard” really means:

HOW TO BUILD A NEWSROOM TIME MACHINE

Writing

Gotham Writer’s Workshop offers FREE writing classes! (well, one-hour workshops, but it could be fun):
http://www.writingclasses.com/CommunityEvents/index.php

An old one from Neil Gaiman about how to get published and/or how to get an agent:
http://journal.neilgaiman.com/2005/01/everything-you-wanted-to-know-about.asp

Work

Fascinating:
Scaling back consumption in service of happiness:

See also: http://finance.yahoo.com/news/the-case-for-a-21-hour-work-week.html

Useful:
http://www.lifehack.org/articles/lifehack/the-100-best-lifehacks-of-2011-the-year-in-review.html
(srsly, read only the ones that you find interesting! Skip the rest!)

Relationships

Unbelievably beautiful:
http://www.huffingtonpost.com/arjuna-ardagh/goddess-worship_b_660896.html

Insightful:

30 Things to Stop Doing to Yourself


http://www.lifehack.org/articles/lifestyle/naming-elephants-10-ways-to-use-radical-honesty-to-improve-your-relationship.html

Not really so insightful, but several people pointed me at it:

Mmm!

Scotch tastings in NYC:
http://nycwhisky.com/events-old

Star Wars

I forget who pointed me at this, but I am totally loving it (and I’m on about page 52 of 600+ and counting — they just got up to Episode IV last month).
Darths & Droids is an “RPG screencap comic” that re-envisions Star Wars: Episode I (The Saga Begins) as a roleplaying campaign. Apparently inspired by DM of the Rings, but funnier in terms of making sense of the weaknesses of the source material.
http://www.darthsanddroids.net/episodes/0001.html

This reminds me that I also wanted to post this link when it first came to my attention several months ago:
Secret History of Star Wars: A Tribute to Marcia Lucas
http://secrethistoryofstarwars.com/marcialucas.html

Jewish

Jewish Sacred Theatre – Its Components and Its Means:
http://www.jewish-theatre.com/visitor/article_display.aspx?articleID=525

A handy nuts-and-bolts link on kashering your kitchen:
http://njop.org/resources/kosher/how-to-keep-kosher/

Marge Piercy

Going around right now is this “top 15 authors that have affected you” meme, but I’m not doing that today. All I have for you on the topic of authors is this:

I just reread Marge Piercy’s 1993 novel He, She, and It (I’m proud to say that my copy was sent to me by Ira Wood when I was doing some typesetting work for the Leapfrog Press, back in around 1998-2000… but anyway).

I’d forgotten how good it was. Really. I inhale books; but as a result, very often a book can move me greatly and then within a few years I have only the vaguest notion left, or none at all, of what lived and breathed between its pages. (Though I have to wonder if I so vividly cast Yod as Brent Spiner the last time. I can only assume that I would have.)

Then, I picked up my copy of Woman on the Edge of Time (published 13 years earlier, in 1985).

Again, I had retained zero memory of what it was even about. At first I found it woefully unpleasant, to the point of thinking to myself “Yeah, I’m giving this away after I finish, ’cause who needs to read this again?” But by last night, a good third of the way into the book, I was engrossed. So if you read it and hate it at first, give it time; it has more to say.

The thing that gets me is how similar, in a way, some of the themes/motifs are (well, except for the cyborg bit… and the Jewishness…) — but they’re handled very differently. I could say more about this if I had time (sorry if that’s what you came here for! maybe later!), but I will just say this for now: While WOTEOT is still a fine book, it’s very, very much an earlier book. The way her style and storytelling matured from one to the other is just… startling.

Which produced the further insight that I, personally, had damn well better get cranking on writing my first novel, so that I can eventually write my tenth. X-)

That is all.

Lox is the Jewish bacon

Nothing like working a 12-hour day… on a fast day (yesterday). I think it makes up for all the slacking I was doing coming in well after 10am for the past, like, two months while my various shows were going up. I also fear there are a lot more of these in store for me this July, due to a major new work project… and that I’m going to earn every penny of my recent “official” promotion, not to mention my week’s vacation in early August. Whew.

Anyway, so before I run off this morning, I bring you a Compare and Contrast:

Mmm… Lox Bacon
Salty Yep Yep
Smoky Yep Yep
Rich (oily) Yep Yep
Delicious Yep Yep
Protein source Yep Yep
Classic breakfast staple Yep Yep
Featured in fancy hors d’oeuvres Yep Yep
Texture Silky Crunchy
Fat content High in omega-3’s High in saturated fat
Kashrut Fins and scales tameh hu lachem
(unclean for you; Leviticus 11:7)

Conclusion: Lox is the Jewish bacon.

Interesting Jewish links: art and language

School’s out for summer, which means my work environment changes pace. Normally I spend a lot of time serving as a resource person — which is to say, responding to daily requests from other folks around the school for this and that, highly interrupt-driven. Over the summer, it’s a lot more project-based: big-picture time to think about things we need, or improvements we could use, and to dither around with possible ideas in creative ways. (Also to reorganize and clean out the ridiculous piles of crap that have accumulated in my office, but hey.) So although the way I’ve spent much of today could certainly be denigrated as “dicking around online”, it’s really also a mode of study and a recharging of creative batteries. If you want to know what I love about this job… it’s the fact that that can be true. That these things matter.

Moreover, I’ve also been doing a bit of introspection lately about my Jewish and/or artistic life, which is to say, the things that interest me most deeply and the ways in which they interact. Not that there’s anything new about my interests in language and lettering and prayer and depth of connection and the nature of the Divine — not to mention singing (literal and metaphorical) and the body (ditto) and nourishment and mysticism and joy and home. But — what do they mean? :-) What’s the Gestalt? What am I doing with them?

For some time now I have been mulling around elements for a work of YA Jewish fiction I want to write — write! — and every now and then I see a new piece of the puzzle and say “aha, maybe that fits in here somewhere”. I suspect I have another much larger post brewing on all these topics for later, and maybe the summer will be a good time for that. But for the moment, I’m just going to set out some of the network of interesting stuff from today.

So:

Yonah Lavery‘s awesome Talmud Comics, and the associated blog. I already emailed the artist to order a poster version of this one.

By way of the New Vilna Review: The Museum of Psalms (really more of an art gallery, it sounds like) in Jerusalem.

The Jewish Virtual Library has a section on Judaic Treasures of the Library of Congress.

In case there is anyone in the world who does not know about these (because apparently there still are such people), it is my duty to share my two favorite leyning (Torah reading/cantillation) resources: Ellie’s Torah Trope Tutor gives you the names and melodies of all the tropes. Navigating the Bible gives complete text and audio (i.e., sung through the trope) of all the weekly Torah readings (as well as the Haftarah portions). (And of course, anyone who would like to do any reading EVER at is always heartily encouraged to jump in and sign up. :-)

Lastly, in lieu of my usual Friday Hebrew lesson for my dear friend T, I commend to you all Balashon: The Hebrew Language Detective. It reminds me considerably of the work of Joseph Lowin (whose own site seems to be down or nonexistent) and the other topical Hebrew lessons at the amazing Jewish Heritage Online Magazine, one of my very favorite sites on the entire Internet. (To my mind, it’s not far from this kind of etymological exploration to Edenics and the work of Isaac Mozeson, but I’ll leave the really wacky stuff for another day. :-)

And with that, I’m out of here. Shabbat shalom, y’all.

I Enjoy Being A Geek

In the department of “stop me before I volunteer again,” I am officially blowing off a Shabbaton planning meeting at shul tonight in order to go see Juno with ablock (7:20pm at the Somerville). Go me!

I am also thinking, as I sit here munching on wasabi peas, that I should write a filk of “Burning Down the House” called “Eating Down the Chametz“. ‘Tis the season.

This reminds me that I never posted the song I wrote (with help from Tiger Boy) for this year’s Purimshpiel, to great popular acclaim: “I Enjoy Being A Geek”. (If you’ve never heard the original, it’s here; whether you have or not, you might enjoy this version.)

INTRO:
I’m a geek, and by me that’s only great!
I am proud that my glasses are like bottles,
And I’m longing to find a Jewish mate
For a love that’s like Tzeitel’s and like Motel’s.

I can charm you with scholarly discourse,
I can quote you from Torah or rabbinics,
But you ask me about religious wars,
And I’ll start explaining Windows, Mac, and Linux!

VERSES:
I’m hooked on the Sci-Fi Network,
I can read twenty books a week,
I love playing Fluxxx or Settlers
I enjoy being a geek!

I have a degree in physics
I think cloaks are the height of chic
Every summer I go to Pennsic [note: this line did not garner a single laugh, I was shocked]
I enjoy being a geek!

BRIDGE:
I own every episode of Buffy,
The Lord of the Rings was really great,
I stayed up all night for Harry Potter —
How I wish there would be a volume number 8!

VERSE:
From Vericon to Arisia
I have looked all around to see
Whether somewhere in Cantabrigia
There’s a boy who would enjoy
Having a geek like me!

(My character in the ‘shpiel was Esther the Second Gabbai… with a cameo by Tiger Boy as the Nice Jewish Boy who comes in as the tenth for minyan and sweeps her off her feet for a happy ending. Awww.)